《认识中世纪手抄本》
内容简介：
本书着眼于中世纪手抄本艺术，梳理了从古典时代晚期到中世纪晚期，乃至文艺复兴和巴洛克时期的手抄本插画与文字设计的历史脉络，图文并茂地展示了各时期、各地区手抄本艺术的历史背景、形式特点、发展历程以及文化意义。
从朴素的纸草卷轴，到装订起来的册子本，再到由黄金和宝石装饰、多种珍贵颜料绘制插图的彩饰书籍——在本书复刻的数百幅手抄本插图中，你可以看到古代工匠与画师的高超技艺与艺术巧思，看到文字、插画、版式设计在各时期的演变，以及各民族文化与艺术形式的融合发展，你会理解手抄本为何风靡中世纪，并仍然深刻影响着当代艺术。
著者简介
安雅·格雷贝（AnjaGrebe），德国知名艺术史学家，在埃尔朗根-纽伦堡大学和克雷姆斯大学教授艺术史。她参加了大量国际研究项目与展会，已经就中世纪和现代艺术出版了大量作品。著有《创世：梵蒂冈博物馆全品珍藏》《卢浮宫画作珍藏集》等。格雷贝现居于德国埃尔朗根。
译者简介
张雯婧，毕业于北京外国语大学德语系，现任职于辽宁大学外国语学院，从事翻译理论与实践研究，译有《一百年后的世界》《深网》《浪漫派之虚无主义》等。
Understanding Medieval Manuscripts
Brief introduction of contents:
This book focuses on medieval manuscript art, combs the historical context of manuscript illustration and text design from the late Classical era to the late Middle Ages, and even the Renaissance and Baroque periods, and shows the historical background, form characteristics, development process and cultural significance of manuscript art in each period and region.
From plain papyrus scrolls, to bound volumes, to colored books decorated with gold and precious stones and illustrated with precious pigments - in the hundreds of handwritten illustrations reproduced in this book, you can see the skill and artistic ingenuity of ancient artisans and painters, and the evolution of text, illustration, and layout design over time. As well as the integration of various national cultures and art forms, you will understand why manuscripts were so popular in the Middle Ages and still profoundly influence contemporary art.
Author profile
AnjaGrebe is a renowned German art historian who teaches art history at the Universities of Erlangen-Nuremberg and Krems. She has participated in numerous international research projects and exhibitions and has published extensively on medieval and modern art. He is the author of Creation: The Complete Collection of the Vatican Museums and the Louvre Painting Collection. Grebe lives in Erlangen, Germany.
Translator's introduction
Zhang Wenjing, graduated from the Department of German at Beijing Foreign Studies University, now works at the School of Foreign Languages, Liaoning University. She is engaged in the research of translation theory and practice. She has translated The World After 100 Years, Deep Web, and Romantic Nihilism.
