《二十四诗品续诗品》内容简介
署名唐司空图的《二十四诗品》是中国传统诗艺认知结构中的重要组成部分，在中国传统诗学中具有不可移易的经典地位和核心价值。其将诗的风格细分为二十四种，即：雄浑、冲淡、纤秾、沉着、高古、典雅、洗炼、劲健、绮丽、自然、含蓄、豪放、精神、缜密、疏野、清奇、委曲、实境、悲慨、形容、超诣、飘逸、旷达、流动二十四品。每品各用十二个四字句的韵语，通过意象及意象组合，以感性化的意象流动，形成极具感兴功能的诗意境界，让读者在意境的感悟中，体悟诗歌多样化的风格特征和审美特质，并从中领会相应的创作技巧，形成一种以境悟理的风格研究。
明袁枚《续诗品》，仿《二十四诗品》的形式，以诗论诗，补《二十四诗品》所未及的主体修养、审美取尚、创作态度、写作过程、传达手法、流派短长、门户流弊以及去伪存真、扬长避短、学古创新等命题。全书分崇意、精思、博习、相题、选材、用笔、理气、布格、择韵、尚识、振采、结响、取径、知难、葆真、安雅、空行、固存、辨微、澄滓、斋心、矜严、藏拙、神悟、即景、勇改、著我、戒偏、割忍、求友、拔萃、灭迹等三十二则，总结诗人的创作苦心和艺术经验，传授诗法，授人以渔。
作者简介
原著者：
司空图（837—908），字表圣，自号知非子、耐辱居士。河中虞乡（今山西永济）人。咸通十年（869）进士。司空图治世则出、乱世则隐、国亡身殉，被称为“晚唐完人”。今有《司空表圣文集》十卷、《诗集》五卷流传。
袁枚（1716—1798），字子才，号简斋，晚年自号仓山居士、随园主人。钱塘（今浙江杭州）人。乾隆四年（1739）中进士，授翰林院庶吉士。清代性灵派诗歌领袖，与赵翼、蒋士铨合称“乾隆三大家”，也是“清代骈文八大家”之一。其文笔与《四库全书》总纂官纪昀（字晓岚）齐名，时称“南袁北纪”。流传至今的著作有《随园诗话》及《补遗》《小仓山房文集》《随园食单》等多种。
译注者：
陈玉兰，浙江师范大学图书馆原馆长，博士，二级教授，博士生导师，浙江省哲学社会科学重点研究基地浙江师范大学江南文化研究中心负责人，国家社科基金重大项目首席专家；兼任中国李清照辛弃疾学会副会长、浙江省文学学会副会长、华东师范大学江南文化研究院学术咨询委员会委员。研究领域主要为古典诗词、江南文化、古典文献，重点关注汉语诗体古今演变、江南文化世家、近代文献整理与研究。在《中国社会科学》《文学评论》《文学遗产》《文艺研究》《文献》《人民日报》等报刊上发表学术论文数十篇，专著有《清代嘉道时期江南寒士诗群与闺阁诗侣研究》等。
Introduction to the contents of "Twenty-four Poems continued Poems"
"Twenty-four Poems" signed by Tang Sikongtu is an important part of the cognitive structure of Chinese traditional poetry art, and has an immovable classic status and core value in Chinese traditional poetics. The style of the poem is subdivided into 24 kinds, namely: vigorous, dilute, luxuriant, calm, ancient, elegant, tempering, vigorous, beautiful, natural, subtle, bold, spirit, rigorous, sparse, curious, pliant, reality, sorrow, description, exceeding attements, elegant, generous, flowing twenty-four products. Each poem uses twelve four-character verses, and through the combination of images and images, it flows with emotional images to form a poetic realm with very interesting functions, so that readers can understand the diversified style characteristics and aesthetic characteristics of poems in the perception of artistic conception, and understand the corresponding creative skills from it, and form a style study with the understanding of reason.
Yuan Mei's "Continuation of Shipin", imitating the form of "24 Shipin", discusses poetry with poetry, and makes up for the subject cultivation, aesthetic appreciation, creative attitude, writing process, communication techniques, genre shortness, gateway evils, eliminating the false and preserving the true, promoting strengths and avoiding weaknesses, learning ancient innovation and so on. The book is divided into Chongyi, fine thinking, wide learning, phase problem, material selection, pen, qi, Buge, rhyme, still knowledge, Zhen mining, knot ring, take path, difficult to know, true, an ya, empty line, solid, micro, clear me, Zhai heart, strict, hidden, divine enlightenment, scene, brave change, I, avoid bias, cut patience, seek friends, extract, trace and other thirty-two, summing up the poet's creative efforts and artistic experience, Teach poetry, teach a man fish.
About the author
Original author:
Sikong map (837-908), the word table saint, since the number knows not son, shame lay. River Yu Township (now Shanxi Yongji) people. Xiantong ten years (869) Jinshi. Sikongtu was known as "the perfect man of the late Tang Dynasty". Today, there are ten volumes of the Collected Works of Sagong Table and five volumes of Poetry in circulation.
Yuan Mei (1716-1798), styled Zicai, styled Jian Zhai, was named a lay scholar in Cangshan and master of the garden in his later years. People from Qiantang (now Hangzhou, Zhejiang Province). Qianlong four years (1739) in the Jinshi, awarded the Imperial Academy of Shuji. The leader of Xinling School poetry in Qing Dynasty, together with Zhao Yi and Jiang Shiquan, was called "Qianlong three masters" and one of "Qing Dynasty eight masters of antithetical prose". His writing style and "Siku Complete book" general code officer Ji Yun (word Xiaolan) equal name, called "South Yuan North discipline." The works that have been handed down to the present are Suiyuan Poetry and Supplement, Ogura Mountain House Collection, Suiyuan Food List and so on.
Translator:
Chen Yulan, former director of the Library of Zhejiang Normal University, PhD, second-level professor, doctoral supervisor, head of Jiangnan Cultural Research Center of Zhejiang Normal University, Key Research base of Philosophy and Social Sciences in Zhejiang Province, chief expert of major projects of National Social Science Fund; He is also vice president of China Li Qingzhao Xinqiji Society, Vice president of Zhejiang Provincial Literature Society, and member of the Academic Advisory Committee of Jiangnan Cultural Research Institute of East China Normal University. The main research fields are classical poetry, Jiangnan culture and classical literature, focusing on the ancient and modern evolution of Chinese poetry, Jiangnan cultural families, and the collation and research of modern literature. He has published dozens of academic papers in Chinese Social Sciences, Literary Review, Literary Heritage, Literature Research, Literature, People's Daily and other newspapers, and his monograph is A Study on the Poetry Group of poor scholars in Jiangnan and Their Boudoir Lovers in the Jiadao Period of Qing Dynasty.
