《礼仪与奉献》内容简介

　　本书为知名艺术史家巫鸿编著“中国材质艺术”丛书第二辑，不断扩展和深入我们对材质与艺术创作之间关系的理解。本辑包含了对早期玉器的原料和渊源的详尽分析，三代时期对绿松石这种特殊材料的开发和运用，西汉满城汉墓中对不同物质的选择及其象征意义，“发绣”这种特殊艺术形式的种类、来历及功能，对一座清代纯铜建筑物的专题讨论，以及当代艺术家以“水”为材料进行的艺术实验。

　　作者简介

　　巫鸿WuHung

　　著名美术史家、艺评家、策展人，美国国家文理学院终身院士。现任芝加哥大学美术史系和东亚语言文化系讲座教授、东亚艺术研究中心主任。主要著作有《武梁祠：中国古代画像艺术的思想性》《中国古代美术和建筑中的“纪念碑性”》《重屏:中国绘画的媒介和表现》《黄泉下的美术：宏观中国古代墓葬》《废墟的故事：中国美术和视觉文化中的“在场”与“缺席”》《“空间”的美术史》《中国绘画中的“女性空间”》《空间的敦煌：走进莫高窟》《中国绘画：远古至唐》《中国绘画：五代至南宋》等。

　　邓淑苹Teng,Shu-p'ing

　　台北故宫博物荣休研究员。近年为探索中国玉礼制的发展，分析史前中国因生态差异，发展出华西“天体崇拜”与华东“神祖灵崇拜”的对峙局面；又经三代时华西、华东的相互融合，战国时组成对后世曾具影响的“六器”制度。近作包括《曙光中的天人对话——中国玉礼制的史前探源》《牙璋探索——大汶口文化至二里头期》《龙山时期“神祖灵纹玉器”研究》等发表于重要博物馆的编著以及学术期刊中。

　　张昌平ZhangChangping

　　武汉大学历史学院教授，研究方向为商周考古和中国青铜时代青铜器，目前负责盘龙城大遗址考古，出版有《商周时期南方青铜器研究》《吉金类系——海外及港台地区收藏的中国青铜器研究》等著作。

　　李雨航LiYuhang

　　美国威斯康星大学麦迪逊分校艺术史系副教授。主要研究明清时期的性别与物质文化、模仿与宗教奉献、媒介与宗教实践及戏曲与中国视觉艺术等。著作有《成为观音：明清女性佛教徒的艺术奉献》，与蔡九迪（JudithZeitlin）共同策划了展览“表演的图像：戏曲与中国视觉艺术”并编辑了图录。

　　金琰JinYan

　　芝加哥大学艺术史系博士研究生。研究方向为清代宫廷艺术、清宫造办处制度对清宫器物之设计和生产的影响、全球视野中的十八世纪艺术交流等。

　　林佩璇NancyP.Lin

　　康奈尔大学艺术史系博士后研究员。主要研究领域为中国现当代艺术和建筑。近年策展包括“在行为与记录之间：中国当代摄影和录像”（康奈尔大学强生美术馆，2023）。研究文章曾发表在《艺术杂志》（ArtJournal）、《中国当代艺术》（JournalofContemporaryChineseArt）及其他著作中。

Introduction to Etiquette and Devotion

The second volume of the Chinese Material Art series, compiled by renowned art historian Wu Hong, expands and deepens our understanding of the relationship between materials and artistic creation. This collection contains a detailed analysis of the raw materials and origins of early jade, the development and use of turquoise as a special material in the three generations, the selection of different materials and their symbolic meanings in Han tombs in Mancheng, Western Han Dynasty, the types, origins and functions of "hair embroidery" as a special art form, a special discussion on a pure copper building in the Qing Dynasty, and a special discussion on the use of jade. And the artistic experiments of contemporary artists using "water" as material.

About the author

WuHung. Wuhung

He is a famous art historian, art critic and curator, and a lifelong member of the National Academy of Arts and Sciences. He is currently Chair Professor in the Department of Art History and the Department of East Asian Languages and Cultures at the University of Chicago and director of the Center for the Study of East Asian Art. His major works include "Wuliang Temple: The Ideological Nature of Ancient Chinese Portrait Art", "Monumentiality" in Ancient Chinese Art and Architecture ", "Double Screen: The Medium and Expression of Chinese Painting", "Art Under the Yellow Spring: Macroscopic Ancient Chinese Tombs" and "The Story of Ruins". "Presence" and "Absence" in Chinese Art and visual Culture, "Art History of" Space ", "Female space" in Chinese painting, "Dunhuang in Space: Entering the Mogao Grottoes," Chinese Painting: Ancient Times to Tang Dynasty, "Chinese Painting: Five Dynasties to Southern Song Dynasty, etc.

Deng Shuping Teng,Shu-p'ing

Emeritus Research fellow, Taipei Imperial Palace Museum. In recent years, in order to explore the development of China's jade ritual, and analyze the ecological differences in prehistoric China, the confrontation situation between "celestial bodies worship" in West China and "gods and ancestors worship" in East China was developed. Through the integration of West China and East China in three generations, the Warring States period formed the "six organs" system that had an influence on later generations. His recent works include the Dialogue between Heaven and Man in the Dawn -- The Prehistoric Source of Chinese Jade Ritual, The Exploration of Ya-Zhang -- Dawenkou Culture to the Erlitou Period, and A Study on the Spiritual Pattern of the Gods and Ancestors in the Longshan Period, which have been published in important museums and academic journals.

ZhangChangping ZhangChangping

Professor at the School of History of Wuhan University, his research direction is Shang and Zhou archaeology and Chinese Bronze Age bronzes. He is currently in charge of the archaeology of Panlongcheng Site, and has published several books, such as "A Study of Southern Bronzes in Shang and Zhou Dynasties" and "Jijin Series: A Study of Chinese bronzes Collected Overseas and in Hong Kong and Taiwan".

LiYuhang LiYuhang

Associate Professor, Department of Art History, University of Wisconsin-Madison. It mainly studies gender and material culture, imitation and religious devotion, media and religious practice, opera and Chinese visual art in the Ming and Qing dynasties. He is the author of Becoming Guanyin: Artistic Devotion of Female Buddhists in the Ming and Qing Dynasties, and co-curated the exhibition "Images of Performance: Opera and Chinese Visual Art" with JudithZeitlin and edited the catalogue.

JinYan JinYan

PhD candidate in Art History, University of Chicago. His research interests include palace art in the Qing Dynasty, the influence of the Qing Palace building office system on the design and production of Qing Palace artifacts, and the 18th century art exchange from a global perspective.

Lin Peixuan NancyP.Lin

Postdoctoral fellow, Department of Art History, Cornell University. His research interests are Chinese modern and contemporary art and architecture. Recent curations include "Between Action and Recording: Contemporary Photography and Video in China" (Johnson Art Museum, Cornell University, 2023). Research articles published in the journal of art (ArtJournal), "Chinese contemporary art" (JournalofContemporaryChineseArt) and other writings.